Blue Meanies

the post wave

(MCA Records)

The latest effort by the Chicago-based Blue Meanies is a perfect example of a major label having a negative impact on the quality of the band. “the post wave” begins with the promising “Lay It Out,” but then the album hits rock bottom. Contrary to Blue Meanies’ previous recordings, their goofy and unique blend of circus-ska is nonexistent on this record. They’ve transformed from a talented ska band on an independent label to a mediocre rock ’n’ roll band with horns.

“All the Same” attempts to carry a message of unity, but the theme is lost in the predictable progress and unoriginality of the riffs. “Do The Tightbelt” is an irritating number about staying positive when living conditions aren’t always the best. The band implements special effects and keyboards in a failed attempt to make itself sound snappy and original. Tunes such as “Lose Your Mind” and “Chemicals” would actually deserve a second listen if it weren’t for lead vocalist Billy Spunke. He sounds like the whiny little brother of Jello Biafra, lead singer of classic punk legends “Dead Kennedys,” never living up to the greatness of his older brother.

It’s hard to take a band seriously with lyrics such as, “Momma’s getting high on the Chardonnay/sleeps all night and she drinks all day/ momma’s getting high on the Chardonnay.”

Thus, the horn section of John Paul Camp and Jimmy Flame is the best feature of the album.

The Blue Meanies should reconnect with their old selves and play their trademark brand of circus-ska, which is what they’re good at. This album is a weak attempt to mature with a major label. They need to go back to the studio to record another great insane ska record instead of trying to grow up.